Flee

Flee

An award-winning documentary that was nominated for three Oscars!

  • Original title

    Flugt

  • Year

    2020

  • Country

    Danmark, Frankrike, Sverige, Norge

  • Duration

    89 min.

  • Language

    Dansk, engelsk, dari, russisk og fransk

  • Director

    Jonas Poher Rasmussen

  • Screenwriter

    Jonas Poher Rasmussen

  • Awards

    World cinema Grand Jury Prize: Documentary (Sundance Film Festival 2021), Best Nordic Documentary (Göteborg Film Festival 2021), Best Feature; Best Original Music for a Feature Film (Annecy International Animated Film Festival 2021), Best Animated Feature Film – Nominee; Best Documentary Feature – Nominee; Best International Feature Film – Nominee (Oscar – Academy Awards 2022)

  • Festival

    Sundance Film Festival 2021, Cannes Film Festival 2020, Human internasjonale dokumentarfilmfestival 2021, Oslo Pix 2021

  • Flee

Amin Nawabi, a 36-year-old high-achieving academic, grapples with a painful secret he has kept hidden for 20 years, the story of his journey as a child refugee from Afghanistan. This traumatic past threatens to derail the life he has built for himself and his soon to be husband. He recounts his dramatic journey as a child refugee from Afghanistan to Denmark. Told mostly through animation, Flee weaves together a stunning tapestry of images and memories to tell the deeply affecting and original story of a young man grappling with his traumatic past in order to find his true self and the meaning of home.

Flee is a powerful and moving documentary which utilizes beautiful animation to tell Amin’s story. The film was created from conversations between Amin and his childhood friend and director Jonas Poher Rasmussen. The audience is given the opportunity to be a fly on the wall as he confide in his friend for the first time.

«En uforglemmelig film ... Mesterlig godt fortalt»

Adresseavisen

«Vanvittig sterk, fullstendig unik og underholdende»

TV 2 Danmark

«Flee is a remarkably humanizing and complex film, expanding and expounding the kind of story that’s too easily simplified»

The Guardian